Oyonale - 3D art and graphic experiments
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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.
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Now, as everything real that occupies a space, contains a manifold the parts of which are external to each other, and is consequently composite--and a real composite, not of accidents (for these cannot exist external to each other apart from substance), but of substances--it follows that the simple must be a substantial composite, which is self-contradictory. Therefore, every part of the composite must occupy a space. But, inasmuch as one part of space is not given, but only limited, by and through another, we must also consider every limited space as conditioned, in so far as it presupposes some other space as the condition of its limitation, and so on. For we may and ought to grant, in the case of space, that division or decomposition, to any extent, never can utterly annihilate composition (that is to say, the smallest part of space must still consist of spaces); otherwise space would entirely cease to exist- which is impossible. Yet this they do, in assuming that the real in space (I must not here call it impenetrability or weight, because these are empirical conceptions) is always identical, and can only be distinguished according to its extensive quantity, that is, multiplicity. In conclusion, that transcendental aesthetic cannot contain any more than these two elements--space and time, is sufficiently obvious from the fact that all other conceptions appertaining to sensibility, even that of motion, which unites in itself both elements, presuppose something empirical.
Besides the propensity to a gradual progression through the points of space and time, we have another peculiarity in our method of thinking, which concurs in producing this phaenomenon.