ACT I. | |
Scene I. A public place. | |
| [Enter Sampson and Gregory armed with swords and bucklers.] |
Sampson. | |
| Gregory, o' my word, we'll not carry coals. |
Gregory. | |
| No, for then we should be colliers. |
Sampson. | |
| I mean, an we be in choler we'll draw. |
Gregory. | |
| Ay, while you live, draw your neck out o' the collar. |
Sampson. | |
| I strike quickly, being moved. |
Gregory. | |
| But thou art not quickly moved to strike. |
Sampson. | |
| A dog of the house of Montague moves me. |
Gregory. | |
| To move is to stir; and to be valiant is to stand: |
| therefore, if thou art moved, thou runn'st away. |
Sampson. | |
| A dog of that house shall move me to stand: |
| I will take the wall of any man or maid of Montague's. |
Gregory. | |
| That shows thee a weak slave; for the weakest goes to the |
| wall. |
Sampson. | |
| True; and therefore women, being the weaker vessels, |
| are ever thrust to the wall: therefore I will push Montague's men |
| from the wall and thrust his maids to the wall. |
Gregory. | |
| The quarrel is between our masters and us their men. |
Sampson. | |
| 'Tis all one, I will show myself a tyrant: |
| when I have fought with the men I will be cruel with the maids, |
| I will cut off their heads. |
Gregory. | |
| The heads of the maids? |
Sampson. | |
| Ay, the heads of the maids, or their maidenheads; |
| take it in what sense thou wilt. |
Gregory. | |
| They must take it in sense that feel it. |
Sampson. | |
| Me they shall feel while I am able to stand: |
| and 'tis known I am a pretty piece of flesh. |
Gregory. | |
| 'Tis well thou art not fish; if thou hadst, |
| thou hadst been poor-John.--Draw thy tool; |
| Here comes two of the house of Montagues. |
Sampson. | |
| My naked weapon is out: quarrel! I will back thee. |
Gregory. | |
| How! turn thy back and run? |
Sampson. | |
| Fear me not. |
Gregory. | |
| No, marry; I fear thee! |
Sampson. | |
| Let us take the law of our sides; let them begin. |
Gregory. | |
| I will frown as I pass by; and let them take it as they |
| list. |
Sampson. | |
| Nay, as they dare. I will bite my thumb at them; which is |
| disgrace to them if they bear it. |
| [Enter Abraham and Balthasar.] |
Abraham. | |
| Do you bite your thumb at us, sir? |
Sampson. | |
| I do bite my thumb, sir. |
Abraham. | |
| Do you bite your thumb at us, sir? |
Sampson. | |
| Is the law of our side if I say ay? |
Gregory. | |
| No. |
Sampson. | |
| No, sir, I do not bite my thumb at you, sir; but I bite my |
| thumb, sir. |
Gregory. | |
| Do you quarrel, sir? |
Abraham. | |
| Quarrel, sir! no, sir. |
Sampson. | |
| But if you do, sir, am for you: I serve as good a man as |
| you. |
Abraham. | |
| No better. |
Sampson. | |
| Well, sir. |
Gregory. | |
| Say better; here comes one of my master's kinsmen. |
Sampson. | |
| Yes, better, sir. |
Abraham. | |
| You lie. |
Sampson. | |
| Draw, if you be men.--Gregory, remember thy swashing blow. |
| [They fight.] |
| [Enter Benvolio.] |
Benvolio. | |
| Part, fools! put up your swords; you know not what you do. |
| [Beats down their swords.] |
| [Enter Tybalt.] |
Tybalt. | |
| What, art thou drawn among these heartless hinds? |
| Turn thee Benvolio, look upon thy death. |
Benvolio. | |
| I do but keep the peace: put up thy sword, |
| Or manage it to part these men with me. |
Tybalt. | |
| What, drawn, and talk of peace! I hate the word |
| As I hate hell, all Montagues, and thee: |
| Have at thee, coward! |
| [They fight.] |
| [Enter several of both Houses, who join the fray; then enter |
| Citizens with clubs.] |
1 Citizen. | |
| Clubs, bills, and partisans! strike! beat them down! |
| Down with the Capulets! Down with the Montagues! |
| [Enter Capulet in his gown, and Lady Capulet.] |
Capulet. | |
| What noise is this?--Give me my long sword, ho! |
Lady Capulet. | |
| A crutch, a crutch!--Why call you for a sword? |
Capulet. | |
| My sword, I say!--Old Montague is come, |
| And flourishes his blade in spite of me. |
| [Enter Montague and his Lady Montague.] |
Montague. | |
| Thou villain Capulet!-- Hold me not, let me go. |
| Lady Montague. |
| Thou shalt not stir one foot to seek a foe. |
| [Enter Prince, with Attendants.] |
Prince. | |
| Rebellious subjects, enemies to peace, |
| Profaners of this neighbour-stained steel,-- |
| Will they not hear?--What, ho! you men, you beasts, |
| That quench the fire of your pernicious rage |
| With purple fountains issuing from your veins,-- |
| On pain of torture, from those bloody hands |
| Throw your mistemper'd weapons to the ground |
| And hear the sentence of your moved prince.-- |
| Three civil brawls, bred of an airy word, |
| By thee, old Capulet, and Montague, |
| Have thrice disturb'd the quiet of our streets; |
| And made Verona's ancient citizens |
| Cast by their grave beseeming ornaments, |
| To wield old partisans, in hands as old, |
| Canker'd with peace, to part your canker'd hate: |
| If ever you disturb our streets again, |
| Your lives shall pay the forfeit of the peace. |
| For this time, all the rest depart away:-- |
| You, Capulet, shall go along with me;-- |
| And, Montague, come you this afternoon, |
| To know our farther pleasure in this case, |
| To old Free-town, our common judgment-place.-- |
| Once more, on pain of death, all men depart. |
| [Exeunt Prince and Attendants; Capulet, Lady Capulet, Tybalt, |
| Citizens, and Servants.] |
Montague. | |
| Who set this ancient quarrel new abroach?-- |
| Speak, nephew, were you by when it began? |
Benvolio. | |
| Here were the servants of your adversary |
| And yours, close fighting ere I did approach: |
| I drew to part them: in the instant came |
| The fiery Tybalt, with his sword prepar'd; |
| Which, as he breath'd defiance to my ears, |
| He swung about his head, and cut the winds, |
| Who, nothing hurt withal, hiss'd him in scorn: |
| While we were interchanging thrusts and blows, |
| Came more and more, and fought on part and part, |
| Till the prince came, who parted either part. |
Lady Montague. | |
| O, where is Romeo?--saw you him to-day?-- |
| Right glad I am he was not at this fray. |
Benvolio. | |
| Madam, an hour before the worshipp'd sun |
| Peer'd forth the golden window of the east, |
| A troubled mind drave me to walk abroad; |
| Where,--underneath the grove of sycamore |
| That westward rooteth from the city's side,-- |
| So early walking did I see your son: |
| Towards him I made; but he was ware of me, |
| And stole into the covert of the wood: |
| I, measuring his affections by my own,-- |
| That most are busied when they're most alone,-- |
| Pursu'd my humour, not pursuing his, |
| And gladly shunn'd who gladly fled from me. |
Montague. | |
| Many a morning hath he there been seen, |
| With tears augmenting the fresh morning's dew, |
| Adding to clouds more clouds with his deep sighs: |
| But all so soon as the all-cheering sun |
| Should in the farthest east begin to draw |
| The shady curtains from Aurora's bed, |
| Away from light steals home my heavy son, |
| And private in his chamber pens himself; |
| Shuts up his windows, locks fair daylight out |
| And makes himself an artificial night: |
| Black and portentous must this humour prove, |
| Unless good counsel may the cause remove. |
Benvolio. | |
| My noble uncle, do you know the cause? |
Montague. | |
| I neither know it nor can learn of him. |
Benvolio. | |
| Have you importun'd him by any means? |
Montague. | |
| Both by myself and many other friends; |
| But he, his own affections' counsellor, |
| Is to himself,--I will not say how true,-- |
| But to himself so secret and so close, |
| So far from sounding and discovery, |
| As is the bud bit with an envious worm |
| Ere he can spread his sweet leaves to the air, |
| Or dedicate his beauty to the sun. |
| Could we but learn from whence his sorrows grow, |
| We would as willingly give cure as know. |
Benvolio. | |
| See, where he comes: so please you step aside; |
| I'll know his grievance or be much denied. |
Montague. | |
| I would thou wert so happy by thy stay |
| To hear true shrift.--Come, madam, let's away, |
| [Exeunt Montague and Lady.] |
| [Enter Romeo.] |
Benvolio. | |
| Good morrow, cousin. |
Romeo. | |
| Is the day so young? |
Benvolio. | |
| But new struck nine. |
Romeo. | |
| Ay me! sad hours seem long. |
| Was that my father that went hence so fast? |
Benvolio. | |
| It was.--What sadness lengthens Romeo's hours? |
Romeo. | |
| Not having that which, having, makes them short. |
Benvolio. | |
| In love? |
Romeo. | |
| Out,-- |
Benvolio. | |
| Of love? |
Romeo. | |
| Out of her favour where I am in love. |
Benvolio. | |
| Alas, that love, so gentle in his view, |
| Should be so tyrannous and rough in proof! |
Romeo. | |
| Alas that love, whose view is muffled still, |
| Should, without eyes, see pathways to his will!-- |
| Where shall we dine?--O me!--What fray was here? |
| Yet tell me not, for I have heard it all. |
| Here's much to do with hate, but more with love:-- |
| Why, then, O brawling love! O loving hate! |
| O anything, of nothing first create! |
| O heavy lightness! serious vanity! |
| Mis-shapen chaos of well-seeming forms! |
| Feather of lead, bright smoke, cold fire, sick health! |
| Still-waking sleep, that is not what it is!-- |
| This love feel I, that feel no love in this. |
| Dost thou not laugh? |
Benvolio. | |
| No, coz, I rather weep. |
Romeo. | |
| Good heart, at what? |
Benvolio. | |
| At thy good heart's oppression. |
Romeo. | |
| Why, such is love's transgression.-- |
| Griefs of mine own lie heavy in my breast; |
| Which thou wilt propagate, to have it prest |
| With more of thine: this love that thou hast shown |
| Doth add more grief to too much of mine own. |
| Love is a smoke rais'd with the fume of sighs; |
| Being purg'd, a fire sparkling in lovers' eyes; |
| Being vex'd, a sea nourish'd with lovers' tears: |
| What is it else? a madness most discreet, |
| A choking gall, and a preserving sweet.-- |
| Farewell, my coz. |
| [Going.] |
Benvolio. | |
| Soft! I will go along: |
| An if you leave me so, you do me wrong. |
Romeo. | |
| Tut! I have lost myself; I am not here: |
| This is not Romeo, he's some other where. |
Benvolio. | |
| Tell me in sadness who is that you love? |
Romeo. | |
| What, shall I groan and tell thee? |
Benvolio. | |
| Groan! why, no; |
| But sadly tell me who. |
Romeo. | |
| Bid a sick man in sadness make his will,-- |
| Ah, word ill urg'd to one that is so ill!-- |
| In sadness, cousin, I do love a woman. |
Benvolio. | |
| I aim'd so near when I suppos'd you lov'd. |
Romeo. | |
| A right good markman!--And she's fair I love. |
Benvolio. | |
| A right fair mark, fair coz, is soonest hit. |
Romeo. | |
| Well, in that hit you miss: she'll not be hit |
| With Cupid's arrow,--she hath Dian's wit; |
| And, in strong proof of chastity well arm'd, |
| From love's weak childish bow she lives unharm'd. |
| She will not stay the siege of loving terms |
| Nor bide th' encounter of assailing eyes, |
| Nor ope her lap to saint-seducing gold: |
| O, she's rich in beauty; only poor |
| That, when she dies, with beauty dies her store. |
Benvolio. | |
| Then she hath sworn that she will still live chaste? |
Romeo. | |
| She hath, and in that sparing makes huge waste; |
| For beauty, starv'd with her severity, |
| Cuts beauty off from all posterity. |
| She is too fair, too wise; wisely too fair, |
| To merit bliss by making me despair: |
| She hath forsworn to love; and in that vow |
| Do I live dead that live to tell it now. |
Benvolio. | |
| Be rul'd by me, forget to think of her. |
Romeo. | |
| O, teach me how I should forget to think. |
Benvolio. | |
| By giving liberty unto thine eyes; |
| Examine other beauties. |
Romeo. | |
| 'Tis the way |
| To call hers, exquisite, in question more: |
| These happy masks that kiss fair ladies' brows, |
| Being black, puts us in mind they hide the fair; |
| He that is strucken blind cannot forget |
| The precious treasure of his eyesight lost: |
| Show me a mistress that is passing fair, |
| What doth her beauty serve but as a note |
| Where I may read who pass'd that passing fair? |
| Farewell: thou canst not teach me to forget. |
Benvolio. | |
| I'll pay that doctrine, or else die in debt. |
| [Exeunt.] |