| The connexion of parts in the compound object has almost the same effect, and so unites the object within itself, that the fancy feels not the transition in passing from one part to another. |
| Hence the colour, taste, figure, solidity, and other qualities, combined in a peach or melon, are conceived to form one thing; and that on account of their close relation, which makes them affect the thought in the same manner, as if perfectly uncompounded. |
| But the mind rests not here. |
| Whenever it views the object in another light, it finds that all these qualities are different, and distinguishable, and separable from each other; which view of things being destructive of its primary and more natural notions, obliges the imagination to feign an unknown something, or original substance and matter, as a principle of union or cohesion among these qualities, and as what may give the compound object a title to be called one thing, notwithstanding its diversity and composition. |
| The peripatetic philosophy asserts the original matter to be perfectly homogeneous in all bodies, and considers fire, water, earth, and air, as of the very same substance; on account of their gradual revolutions and changes into each other. |
| At the same time it assigns to each of these species of objects a distinct substantial form, which it supposes to be the source of all those different qualities they possess, and to be a new foundation of simplicity and identity to each particular species. |
| All depends on our manner of viewing the objects. |
| When we look along the insensible changes of bodies, we suppose all of them to be of the same substance or essence. |
| When we consider their sensible differences, we attribute to each of them a substantial and essential difference. |
| And in order to indulge ourselves in both these ways of considering our objects, we suppose all bodies to have at once a substance and a substantial form. |
| The notion of accidents is an unavoidable consequence of this method of thinking with regard to substances and substantial forms; nor can we forbear looking upon colours, sounds, tastes, figures, and other properties of bodies, as existences, which cannot subsist apart, but require a subject of inhesion to sustain and support them. |
| For having never discovered any of these sensible qualities, where, for the reasons above-mentioned, we did not likewise fancy a substance to exist; the same habit, which makes us infer a connexion betwixt cause and effect, makes us here infer a dependence of every quality on the unknown substance. |
| The custom of imagining a dependence has the same effect as the custom of observing it would have. |
| This conceit, however, is no more reasonable than any of the foregoing. |
| Every quality being a distinct thing from another, may be conceived to exist apart, and may exist apart, not only from every other quality, but from that unintelligible chimera of a substance. |
| But these philosophers carry their fictions still farther in their sentiments concerning occult qualities, and both suppose a substance supporting, which they do not understand, and an accident supported, of which they have as imperfect an idea. |
| The whole system, therefore, is entirely incomprehensible, and yet is derived from principles as natural as any of these above-explained. |
| In considering this subject we may observe a gradation of three opinions, that rise above each other, according as the persons, who form them, acquire new degrees of reason and knowledge. |
| These opinions are that of the vulgar, that of a false philosophy, and that of the true; where we shall find upon enquiry, that the true philosophy approaches nearer to the sentiments of the vulgar, than to those of a mistaken knowledge. |
| It is natural. for men, in their common and care, less way of thinking, to imagine they perceive a connexion betwixt such objects as they have constantly found united together; and because custom has rendered it difficult to separate the ideas, they are apt to fancy such a separation to be in itself impossible and absurd. |
| But philosophers, who abstract from the effects of custom, and compare the ideas of objects, immediately perceive the falshood of these vulgar sentiments, and discover that there is no known connexion among objects. |