| The simple ideas of which modes are formed, either represent qualities, which are not united by contiguity and causation, but are dispersed in different subjects; or if they be all united together, the uniting principle is not regarded as the foundation of the complex idea. |
| The idea of a dance is an instance of the first kind of modes; that of beauty of the second. |
| The reason is obvious, why such complex ideas cannot receive any new idea, without changing the name, which distinguishes the mode. |
| SECT. VII. OF ABSTRACT IDEAS. |
| A very material question has been started concerning ABSTRACT or GENERAL ideas, WHETHER THEY BE GENERAL OR PARTICULAR IN THE MIND'S CONCEPTION OF THEM. |
| A great philosopher [Dr. Berkeley.] has disputed the received opinion in this particular, and has asserted, that all general ideas are nothing but particular ones, annexed to a certain term, which gives them a more extensive signification, and makes them recall upon occasion other individuals, which are similar to them. |
| As I look upon this to be one of the greatest and most valuable discoveries that has been made of late years in the republic of letters, I shag here endeavour to confirm it by some arguments, which I hope will put it beyond all doubt and controversy. |
| It is evident, that in forming most of our general ideas, if not all of them, we abstract from every particular degree of quantity and quality, and that an object ceases not to be of any particular species on account of every small alteration in its extension, duration and other properties. |
| It may therefore be thought, that here is a plain dilemma, that decides concerning the nature of those abstract ideas, which have afforded so much speculation to philosophers. |
| The abstract idea of a man represents men of all sizes and all qualities; which it is concluded it cannot do, but either by representing at once all possible sizes and all possible qualities, or by, representing no particular one at all. |
| Now it having been esteemed absurd to defend the former proposition, as implying an infinite capacity in the mind, it has been commonly inferred in favour of the letter: and our abstract ideas have been supposed to represent no particular degree either of quantity or quality. |
| But that this inference is erroneous, I shall endeavour to make appear, first, by proving, that it is utterly impossible to conceive any quantity or quality, without forming a precise notion of its degrees: And secondly by showing, that though the capacity of the mind be not infinite, yet we can at once form a notion of all possible degrees of quantity and quality, in such a manner at least, as, however imperfect, may serve all the purposes of reflection and conversation. |
| To begin with the first proposition, THAT THE MIND CANNOT FORM ANY NOTION OF QUANTITY OR QUALITY WITHOUT FORMING A PRECISE NOTION OF DEGREES OF EACH; we may prove this by the three following arguments. |
| First, We have observed, that whatever objects are different are distinguishable, and that whatever objects are distinguishable are separable by the thought and imagination. |
| And we may here add, that these propositions are equally true in the inverse, and that whatever objects are separable are also distinguishable, and that whatever objects are distinguishable, are also different. |
| For how is it possible we can separate what is not distinguishable, or distinguish what is not different? In order therefore to know, whether abstraction implies a separation, we need only consider it in this view, and examine, whether all the circumstances, which we abstract from in our general ideas, be such as are distinguishable and different from those, which we retain as essential parts of them. |
| But it is evident at first sight, that the precise length of a line is not different nor distinguishable from the line itself. |
| nor the precise degree of any quality from the quality. |
| These ideas, therefore, admit no more of separation than they do of distinction and difference. |
| They are consequently conjoined with each other in the conception; and the general idea of a. |
| line, notwithstanding all our abstractions and refinements, has in its appearance in the mind a precise degree of quantity and quality; however it may be made to represent others, which have different degrees of both. |