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The phrases in their context!

Extract from A TREATISE OF HUMAN NATURE:

But we must farther consider, that an intention, besides its strengthening the relation of ideas, is often necessary to produce a relation of impressions, and give rise to pleasure and uneasiness.
For it is observable, that the principal part of an injury is the contempt and hatred, which it shews in the person, that injures us; and without that, the mere harm gives us a less sensible uneasiness.
In like manner, a good office is agreeable, chiefly because it flatters our vanity, and is a proof of the kindness and esteem of the person, who performs it.
The removal of the intention, removes the mortification in the one case, and vanity in the other, and must of course cause a remarkable diminution in the passions of love and hatred.
I grant, that these effects of the removal of design, in diminishing the relations of impressions and ideas, are not entire, nor able to remove every degree of these relations.
But then I ask, if the removal of design be able entirely to remove the passion of love and hatred? Experience, I am sure, informs us of the contrary, nor is there any thing more certain, than that men often fall into a violent anger for injuries, which they themselves must own to be entirely involuntary and accidental.
This emotion, indeed, cannot be of long continuance; but still is sufficient to shew, that there is a natural connexion betwixt uneasiness and anger, and that the relation of impressions will operate upon a very small relation of ideas.
But when the violence of the impression is once a little abated, the defect of the relation begins to be better felt; and as the character of a person is no wise interested in such injuries as are casual and involuntary, it seldom happens that on their account, we entertain a lasting enmity.
To illustrate this doctrine by a parallel instance, we may observe, that not only the uneasiness, which proceeds from another by accident, has but little force to excite our passion, but also that which arises from an acknowledged necessity and duty.
One that has a real design of harming us, proceeding not from hatred and ill-will, but from justice and equity, draws not upon him our anger, if we be in any degree reasonable; notwithstanding he is both the cause, and the knowing cause of our sufferings.
Let us examine a little this phaenomenon.
It is evident in the first place, that this circumstance is not decisive; and though it may be able to diminish the passions, it is seldom it can entirely remove them.
How few criminals are there, who have no ill-will to the person, that accuses them, or to the judge, that condemns them, even though they be conscious of their own deserts? In like manner our antagonist in a law-suit, and our competitor for any office, are commonly regarded as our enemies; though we must acknowledge, if we would but reflect a moment, that their motive is entirely as justifiable as our own.
Besides we may consider, that when we receive harm from any person, we are apt to imagine him criminal, and it is with extreme difficulty we allow of his justice and innocence.
This is a clear proof, that, independent of the opinion of iniquity, any harm or uneasiness has a natural tendency to excite our hatred, and that afterwards we seek for reasons upon which we may justify and establish the passion.
Here the idea of injury produces not the passion, but arises from it.
Nor is it any wonder that passion should produce the opinion of injury; since otherwise it must suffer a considerable diminution, which all the passions avoid as much as possible.
The removal of injury may remove the anger, without proving that the anger arises only from the injury.
The harm and the justice are two contrary objects, of which the one has a tendency to produce hatred, and the other love; and it is according to their different degrees, and our particular turn of thinking, that either of the objects prevails, and excites its proper passion.
SECT. IV OF THE LOVE OF RELATIONS
Having given a reason, why several actions, that cause a real pleasure or uneasiness, excite not any degree, or but a small one, of the passion of love or hatred towards the actors; it will be necessary to shew, wherein consists the pleasure or uneasiness of many objects, which we find by experience to produce these passions.