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The phrases in their context!

Extract from THE CRITIQUE OF PURE REASON

Without rising to these speculative heights, we are bound to confess that human reason contains not only ideas, but ideals, which possess, not, like those of Plato, creative, but certainly practical power--as regulative principles, and form the basis of the perfectibility of certain actions.
Moral conceptions are not perfectly pure conceptions of reason, because an empirical element--of pleasure or pain--lies at the foundation of them.
In relation, however, to the principle, whereby reason sets bounds to a freedom which is in itself without law, and consequently when we attend merely to their form, they may be considered as pure conceptions of reason.
Virtue and wisdom in their perfect purity are ideas.
But the wise man of the Stoics is an ideal, that is to say, a human being existing only in thought and in complete conformity with the idea of wisdom.
As the idea provides a rule, so the ideal serves as an archetype for the perfect and complete determination of the copy.
Thus the conduct of this wise and divine man serves us as a standard of action, with which we may compare and judge ourselves, which may help us to reform ourselves, although the perfection it demands can never be attained by us.
Although we cannot concede objective reality to these ideals, they are not to be considered as chimeras; on the contrary, they provide reason with a standard, which enables it to estimate, by comparison, the degree of incompleteness in the objects presented to it.
But to aim at realizing the ideal in an example in the world of experience--to describe, for instance, the character of the perfectly wise man in a romance--is impracticable.
Nay more, there is something absurd in the attempt; and the result must be little edifying, as the natural limitations, which are continually breaking in upon the perfection and completeness of the idea, destroy the illusion in the story and throw an air of suspicion even on what is good in the idea, which hence appears fictitious and unreal.
Such is the constitution of the ideal of reason, which is always based upon determinate conceptions, and serves as a rule and a model for limitation or of criticism.
Very different is the nature of the ideals of the imagination.
Of these it is impossible to present an intelligible conception; they are a kind of monogram, drawn according to no determinate rule, and forming rather a vague picture--the production of many diverse experiences--than a determinate image.
Such are the ideals which painters and physiognomists profess to have in their minds, and which can serve neither as a model for production nor as a standard for appreciation.
They may be termed, though improperly, sensuous ideals, as they are declared to be models of certain possible empirical intuitions.
They cannot, however, furnish rules or standards for explanation or examination with
In its ideals, reason aims at complete and perfect determination according to a priori rules; and hence it cogitates an object, which must be completely determinable in conformity with principles, although all empirical conditions are absent, and the conception of the object is on this account transcendent.
SECTION II. Of the Transcendental Ideal (Prototypon Trancendentale).
Every conception is, in relation to that which is not contained in it, undetermined and subject to the principle of determinability.
This principle is that, of every two contradictorily opposed predicates, only one can belong to a conception.
It is a purely logical principle, itself based upon the principle of contradiction; inasmuch as it makes complete abstraction of the content and attends merely to the logical form of the cognition.