Oyonale - 3D art and graphic experiments
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Click on the phrases to see them in context. The original texts by Immanuel Kant and David Hume are available from the Gutenberg Projet.
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For, as there are in such a conception only a certain number of marks or signs, which denote a certain class of sensuous objects, we can never be sure that we do not cogitate under the word which indicates the same object, at one time a greater, at another a smaller number of signs. Space and time, as conditions of the possibility of the presentation of objects to us, are valid no further than for objects of sense, consequently, only for experience. Morality, therefore, is more properly felt than judged of; though this feeling or sentiment is commonly so soft and gentle, that we are apt to confound it with an idea, according to our common custom of taking all things for the same, which have any near resemblance to each other. Do you feel like you are too busy earning a living to make any real money? Nothing can be more real, or concern us more, than our own sentiments of pleasure and uneasiness; and if these be favourable to virtue, and unfavourable to vice, no more can be requisite to the regulation of our conduct and behaviour. Thus it appears, that sympathy is a very powerful principle in human nature, that it has a great influence on our taste of beauty, and that it produces our sentiment of morals in all the artificial virtues. They will, at the same time, explain to us many other things by the way--for example, the fiery zeal on the one side and the cold maintenance of their cause on the other; why the one party has met with the warmest approbations, and the other has always been repulsed by irreconcilable prejudices. Now I assert, that where we esteem a person upon account of his riches, we must enter into this sentiment of the proprietor, and that without such a sympathy the idea of the agreeable objects, which they give him the power to produce, would have but a feeble influence upon us. It is therefore contained immediately in the intuition and representation of time.