ACT I. | |
Scene V. A Hall in Capulet's House. | |
| [Musicians waiting. Enter Servants.] |
1 Servant. | |
| Where's Potpan, that he helps not to take away? |
| he shift a trencher! he scrape a trencher! |
2 Servant. | |
| When good manners shall lie all in one or two men's |
| hands, and they unwash'd too, 'tis a foul thing. |
1 Servant. | |
| Away with the join-stools, remove the court-cupboard, look |
| to the plate:--good thou, save me a piece of marchpane; and as |
| thou loves me, let the porter let in Susan Grindstone and Nell.-- |
| Antony! and Potpan! |
2 Servant. | |
| Ay, boy, ready. |
1 Servant. | |
| You are looked for and called for, asked for |
| and sought for in the great chamber. |
2 Servant. | |
| We cannot be here and there too.--Cheerly, boys; |
| be brisk awhile, and the longer liver take all. |
| [They retire behind.] |
| [Enter Capulet, &c. with the Guests the Maskers.] |
Capulet. | |
| Welcome, gentlemen! ladies that have their toes |
| Unplagu'd with corns will have a bout with you.-- |
| Ah ha, my mistresses! which of you all |
| Will now deny to dance? she that makes dainty, she, |
| I'll swear hath corns; am I come near you now? |
| Welcome, gentlemen! I have seen the day |
| That I have worn a visard; and could tell |
| A whispering tale in a fair lady's ear, |
| Such as would please;--'tis gone, 'tis gone, 'tis gone: |
| You are welcome, gentlemen!--Come, musicians, play. |
| A hall--a hall! give room! and foot it, girls.-- |
| [Music plays, and they dance.] |
More light, you knaves; and turn the tables up, | |
And quench the fire, the room is grown too hot.-- | |
Ah, sirrah, this unlook'd-for sport comes well. | |
Nay, sit, nay, sit, good cousin Capulet; | |
For you and I are past our dancing days; | |
How long is't now since last yourself and I | |
Were in a mask? | |
2 Capulet. | |
| By'r Lady, thirty years. |
Capulet. | |
| What, man! 'tis not so much, 'tis not so much: |
| 'Tis since the nuptial of Lucentio, |
| Come Pentecost as quickly as it will, |
| Some five-and-twenty years; and then we mask'd. |
2 Capulet. | |
| 'Tis more, 'tis more: his son is elder, sir; |
| His son is thirty. |
Capulet. | |
| Will you tell me that? |
| His son was but a ward two years ago. |
Romeo. | |
| What lady is that, which doth enrich the hand |
| Of yonder knight? |
Servant. | |
| I know not, sir. |
Romeo. | |
| O, she doth teach the torches to burn bright! |
| It seems she hangs upon the cheek of night |
| Like a rich jewel in an Ethiop's ear; |
| Beauty too rich for use, for earth too dear! |
| So shows a snowy dove trooping with crows |
| As yonder lady o'er her fellows shows. |
| The measure done, I'll watch her place of stand |
| And, touching hers, make blessed my rude hand. |
| Did my heart love till now? forswear it, sight! |
| For I ne'er saw true beauty till this night. |
Tybalt. | |
| This, by his voice, should be a Montague.-- |
| Fetch me my rapier, boy:--what, dares the slave |
| Come hither, cover'd with an antic face, |
| To fleer and scorn at our solemnity? |
| Now, by the stock and honour of my kin, |
| To strike him dead I hold it not a sin. |
Capulet. | |
| Why, how now, kinsman! wherefore storm you so? |
Tybalt. | |
| Uncle, this is a Montague, our foe; |
| A villain, that is hither come in spite, |
| To scorn at our solemnity this night. |
Capulet. | |
| Young Romeo, is it? |
Tybalt. | |
| 'Tis he, that villain, Romeo. |
Capulet. | |
| Content thee, gentle coz, let him alone, |
| He bears him like a portly gentleman; |
| And, to say truth, Verona brags of him |
| To be a virtuous and well-govern'd youth: |
| I would not for the wealth of all the town |
| Here in my house do him disparagement: |
| Therefore be patient, take no note of him,-- |
| It is my will; the which if thou respect, |
| Show a fair presence and put off these frowns, |
| An ill-beseeming semblance for a feast. |
Tybalt. | |
| It fits, when such a villain is a guest: |
| I'll not endure him. |
Capulet. | |
| He shall be endur'd: |
| What, goodman boy!--I say he shall;--go to; |
| Am I the master here, or you? go to. |
| You'll not endure him!--God shall mend my soul, |
| You'll make a mutiny among my guests! |
| You will set cock-a-hoop! you'll be the man! |
Tybalt. | |
| Why, uncle, 'tis a shame. |
Capulet. | |
| Go to, go to! |
| You are a saucy boy. Is't so, indeed?-- |
| This trick may chance to scathe you,--I know what: |
| You must contrary me! marry, 'tis time.-- |
| Well said, my hearts!--You are a princox; go: |
| Be quiet, or--More light, more light!--For shame! |
| I'll make you quiet. What!--cheerly, my hearts. |
Tybalt. | |
| Patience perforce with wilful choler meeting |
| Makes my flesh tremble in their different greeting. |
| I will withdraw: but this intrusion shall, |
| Now seeming sweet, convert to bitter gall. |
| [Exit.] |
Romeo. | |
| [To Juliet.] If I profane with my unworthiest hand |
| This holy shrine, the gentle fine is this,-- |
| My lips, two blushing pilgrims, ready stand |
| To smooth that rough touch with a tender kiss. |
Juliet. | |
| Good pilgrim, you do wrong your hand too much, |
| Which mannerly devotion shows in this; |
| For saints have hands that pilgrims' hands do touch, |
| And palm to palm is holy palmers' kiss. |
Romeo. | |
| Have not saints lips, and holy palmers too? |
Juliet. | |
| Ay, pilgrim, lips that they must use in prayer. |
Romeo. | |
| O, then, dear saint, let lips do what hands do; |
| They pray, grant thou, lest faith turn to despair. |
Juliet. | |
| Saints do not move, though grant for prayers' sake. |
Romeo. | |
| Then move not while my prayer's effect I take. |
| Thus from my lips, by thine my sin is purg'd. |
| [Kissing her.] |
Juliet. | |
| Then have my lips the sin that they have took. |
Romeo. | |
| Sin from my lips? O trespass sweetly urg'd! |
| Give me my sin again. |
Juliet. | |
| You kiss by the book. |
Nurse. | |
| Madam, your mother craves a word with you. |
Romeo. | |
| What is her mother? |
Nurse. | |
| Marry, bachelor, |
| Her mother is the lady of the house. |
| And a good lady, and a wise and virtuous: |
| I nurs'd her daughter that you talk'd withal; |
| I tell you, he that can lay hold of her |
| Shall have the chinks. |
Romeo. | |
| Is she a Capulet? |
| O dear account! my life is my foe's debt. |
Benvolio. | |
| Away, be gone; the sport is at the best. |
Romeo. | |
| Ay, so I fear; the more is my unrest. |
Capulet. | |
| Nay, gentlemen, prepare not to be gone; |
| We have a trifling foolish banquet towards.-- |
| Is it e'en so? why then, I thank you all; |
| I thank you, honest gentlemen; good-night.-- |
| More torches here!--Come on then, let's to bed. |
| Ah, sirrah [to 2 Capulet], by my fay, it waxes late; |
| I'll to my rest. |
| [Exeunt all but Juliet and Nurse.] |
Juliet. | |
| Come hither, nurse. What is yond gentleman? |
Nurse. | |
| The son and heir of old Tiberio. |
Juliet. | |
| What's he that now is going out of door? |
Nurse. | |
| Marry, that, I think, be young Petruchio. |
Juliet. | |
| What's he that follows there, that would not dance? |
Nurse. | |
| I know not. |
Juliet. | |
| Go ask his name: if he be married, |
| My grave is like to be my wedding-bed. |
Nurse. | |
| His name is Romeo, and a Montague; |
| The only son of your great enemy. |
Juliet. | |
| My only love sprung from my only hate! |
| Too early seen unknown, and known too late! |
| Prodigious birth of love it is to me, |
| That I must love a loathed enemy. |
Nurse. | |
| What's this? What's this? |
Juliet. | |
| A rhyme I learn'd even now |
| Of one I danc'd withal. |
| [One calls within, 'Juliet.'] |
Nurse. | |
| Anon, anon! |
| Come, let's away; the strangers all are gone. |
| [Exeunt.] |
| [Enter Chorus.] |
Chorus. | |
| Now old desire doth in his deathbed lie, |
| And young affection gapes to be his heir; |
| That fair for which love groan'd for, and would die, |
| With tender Juliet match'd, is now not fair. |
| Now Romeo is belov'd, and loves again, |
| Alike bewitched by the charm of looks; |
| But to his foe suppos'd he must complain, |
| And she steal love's sweet bait from fearful hooks: |
| Being held a foe, he may not have access |
| To breathe such vows as lovers us'd to swear; |
| And she as much in love, her means much less |
| To meet her new beloved anywhere: |
| But passion lends them power, time means, to meet, |
| Tempering extremities with extreme sweet. |
| [Exit.] |