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Cliquer sur les phrases pour les voir dans leur contexte. Les textes de Immanuel Kant et David Hume sont disponibles auprès du Projet Gutenberg.

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The person has a relation of ideas to myself, according to the supposition; the passion, of which he is the object, by being either agreeable or uneasy, has a relation of impressions to pride or humility.

 And indeed nothing but the most determined scepticism, along with a great degree of indolence, can justify this aversion to metaphysics. Nothing but a particular enquiry can give the preference to any other hypothesis. Kings and princes are supposed to be placed at the top of human affairs; as peasants and day-labourers are said to be in the lowest stations. According to these laws, I could only say; "When I hold in my hand or carry a body, I feel an impression of weight"; but I could not say; "It, the body, is heavy"; for this is tantamount to saying both these representations are conjoined in the object, that is, without distinction as to the condition of the subject, and do not merely stand together in my perception, however frequently the perceptive act may be repeated. But as authors do not commonly use this precaution, I shall presume to recommend it to the readers; and am persuaded, that this small attention would subvert all the vulgar systems of morality, and let us see, that the distinction of vice and virtue is not founded merely on the relations of objects, nor is perceived by reason. But nothing is gained by this change of the term of modification, for that of action; nor do we free ourselves from one single difficulty by its means; as will appear from the two following reflexions. The second property I shall observe in the human mind is a like association of impressions. You want to make some money?  There is no single phaenomenon, even the most simple, which can be accounted for from the qualities of the objects, as they appear to us; or which we coued foresee without the help of our memory and experience. The first impulse, therefore, is here broke into pieces, and diffuses itself over all those images, of which each partakes an equal share of that force and vivacity, that is derived from the impulse.