Oyonale - Créations 3D et expériences graphiques
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Cliquer sur les phrases pour les voir dans leur contexte. Les textes de Immanuel Kant et David Hume sont disponibles auprès du Projet Gutenberg.
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But reason cannot cogitate this systematic unity, without at the same time cogitating an object of the idea--an object that cannot be presented in any experience, which contains no concrete example of a complete systematic unity. A transcendental proposition is, therefore, a synthetical cognition of reason by means of pure conceptions and the discursive method, and it renders possible all synthetical unity in empirical cognition, though it cannot present us with any intuition a priorI. [*Footnote; In the case of the conception of cause, I do really go beyond the empirical conception of an event--but not to the intuition which presents this conception in concreto, but only to the time-conditions, which may be found in experience to correspond to the conception. So far, then, as this criticism is occupied in confining speculative reason within its proper bounds, it is only negative; but, inasmuch as it thereby, at the same time, removes an obstacle which impedes and even threatens to destroy the use of practical reason, it possesses a positive and very important value. Is it an impression of sensation or of reflection? Is it pleasant, or painful, or indifferent? I Does it attend us at all times, or does it only return at intervals? If at intervals, at what times principally does it return, and by what causes is it produced? Now every sensation has a degree or quantity by which it can fill time, that is to say, the internal sense in respect of the representation of an object, more or less, until it vanishes into nothing (= 0 = negatio). This sentiment of morality, in the performance of promises, arises from the same principles as that in the abstinence from the property of others. The distinction of moral good and evil is founded on the pleasure or pain, which results from the view of any sentiment, or character; and as that pleasure or pain cannot be unknown to the person who feels it, it follows [Footnote 22], that there is just so much vice or virtue in any character, as every one places in it, and that it is impossible in this particular we can ever be mistaken. integrity, excites a different sentiment or feeling in the spectator. It is, moreover, not necessary that we should limit the mode of intuition in space and time to the sensuous faculty of man.